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Tele Modern

A one-piece mahogany body, quilted maple top and translucent finishes. The most direct shape in the catalogue, built from its fullest-sounding wood.

  • Miele
    Tele Modern — Miele
  • Ginestra
    Tele Modern — Ginestra
  • Amaranto
    Tele Modern — Amaranto
  • Boreale
    Tele Modern — Boreale
  • Carminio
    Tele Modern — Carminio
  • Zafferano
    Tele Modern — Zafferano
  • Grafite
    Tele Modern — Grafite
  • Tabacco
    Tele Modern — Tabacco
  • Brace
    Tele Modern — Brace
  • Nebulosa
    Tele Modern — Nebulosa

10 finishes available — and this is not a closed list

What sets it apart

  • One-piece mahogany

    Not two halves glued together: a single board, chosen because there is enough of it. It costs more in offcuts, and you hear it in how full the note stays on the way down.

  • Translucent finishes

    The colour does not cover, it passes through. The maple quilt stays visible under every shade, and no two boards give the same figure.

  • Schaller 3D bridge

    Every saddle adjusts on three axes. It is the bridge that lets you truly intonate an instrument instead of getting close, and on a Tele that matters more than anywhere else.

The whole of it

Tele Modern, headstock to bridge.

Tele Modern — De Gattis guitar, the whole instrument

Photographs of Tele Modern

  • Classic headstock, available on request: as standard the Tele Modern leaves with the modern one.

The top

The quilt moves with the light.

Twelve seconds tracking across the body, no editing. Quilted maple has no fixed pattern: it changes with where the light lands, and a still photograph can only show one version out of many.

Specifications

What is settled, and what you settle.

It is the model

They do not change: they are what makes this a Tele Modern.

Scale length
648 mm25.5 inches
Fretboard radius
16″
Body
One-piece select mahogany
Body thickness
37 mm45 mm on the tremolo and Floyd Rose versions
Top
Quilted maple
Frets
22, 2.70 mm stainless steel jumbo
Bridge
Schaller 3D
Pots
500 kΩ
Truss rod
Dual action, with two carbon fibre rodsThe rods can be left out on request
Body finish
Translucent gloss polyurethane
Fretboard finish
Tru-Oil
Neck width
43 mm at the nut · 56.5 mm at the last fret1.69 · 2.22 inches
Case
ABS hard caseIncluded
Certificate of authenticity
Numbered, dated and signed by handIncluded

You choose

Every line here is a conversation, not a drop-down.

Nut
Tusq · Bone
Tuners
Gotoh · Schaller
Fret markers
Mother of pearl · Abalone
Pickup configuration
HH · HSS
Neck joint
Bolt-on · Set neck
Headstock
6 in line · 6 in line, reverse · 4 + 2 · 4 + 2, reverse · 3 + 3 · Slotted
Headstock shape
Modern, standard · Classical, on request
Neck finish
Gloss · Satin · Tru-Oil

The switch

What it sounds like, in every position.

As standard

  • Neck

  • Neck + bridge

  • Bridge

Neck coil split

A push-pull leaves the neck humbucker running on one coil: it brightens up without losing body.

  • Neck

  • Neck + bridge

  • Bridge

Bridge coil split

The other does the same at the bridge, where it is needed more often: the attack stays, the humbucker’s compression does not.

  • Neck

  • Neck + bridge

  • Bridge

Both coils split

With both push-pulls up it becomes a two single-coil guitar, and the middle position is the furthest it gets from where it started.

  • Neck

  • Neck + bridge

  • Bridge

And now

Carry on building it.

The green lines above are yours to decide. In the Custom Shop you pick them one by one, and at the end it is the luthier who writes back, not a form.

Open the Custom Shop