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Maranello

Double cutaway and colours that cover. This is the Genesis where the wood disappears under the finish — and the only one with thirteen of them to look at.

  • Rosso corsa
    Maranello — Rosso corsa
  • Fucsia
    Maranello — Fucsia
  • Gesso
    Maranello — Gesso
  • Cedro
    Maranello — Cedro
  • Tramonto
    Maranello — Tramonto
  • Carminio
    Maranello — Carminio
  • Malachite
    Maranello — Malachite
  • Galassia
    Maranello — Galassia
  • Nova
    Maranello — Nova
  • Eclissi
    Maranello — Eclissi
  • Vortice
    Maranello — Vortice
  • Marea
    Maranello — Marea
  • Nebulosa
    Maranello — Nebulosa

13 finishes available — and this is not a closed list

What sets it apart

  • Thirteen finishes, and the wood stays hidden

    The only model in the house where the colour covers instead of passing through. Rosso corsa as standard; then fuchsia, acid green, white, metallics, hydro-dipped swirls. Here the finish is not there to show off a well-chosen board — it is there to be seen from the back of the room.

  • Schaller Lockmeister bridge

    A Floyd Rose built under licence in Germany, with locking saddles and a locking nut. Dive a full octave and come back in tune. Available in black, nickel, gold, chrome and ruthenium, matched to the tuners.

  • Push-push on the volume

    Press once and the humbucker splits, press again and it comes back whole. Nothing to pull, nothing to turn: one hand, while the other keeps playing.

Photographs of Maranello

Maranello — De Gattis guitar

Rosso corsa

Twelve seconds with someone playing it.

This is not a pan across a still instrument: it is the standard finish under the light of an ordinary room, with a hand working the fretboard. A solid red has no board to show off — it has a surface that reflects, and you only see it when it moves.

Specifications

What is settled, and what you settle.

It is the model

They do not change: they are what makes this a Maranello.

Number of strings
Six or seven strings
Scale length
648 mm25.5 inches
Fretboard radius
16″
Fretboard
Ebony
Frets
2.80 mm stainless steel jumbo
Nut
Schaller
Tuners
Schaller
Bridge
Schaller Lockmeister
Pots
500 kΩ push-push
Truss rod
Dual action, with two carbon fibre rodsThe rods can be left out on request
Pickups
De Gattis special edition, ebony covers
Side markers
Luminlay
Body finish
Gloss polyurethane
Neck finish
Gloss polyurethane
Fretboard finish
Tru-Oil
Neck width, twenty-two frets
43 mm at the nut · 56.5 mm at the last fret1.69 · 2.22 inches
Neck width, twenty-four frets
43 mm at the nut · 57.2 mm at the last fret1.69 · 2.25 inches
Neck width, seven strings
48 mm at the nut · 66 mm at the last fret1.89 · 2.60 inches
Case
ABS hard caseIncluded
Certificate of authenticity
Numbered, dated and signed by handIncluded

You choose

Every line here is a conversation, not a drop-down.

Body wood
Canadian alder · Mahogany
Neck
American birdseye maple · Balkan flame maple
Number of frets
22 · 24
Headstock
6 in line · 6 in line, reverse · 4 + 2 · 4 + 2, reverse · 3 + 3 · SlottedOn seven strings the shapes are 4 + 3 and 3 + 4 reverse
Hardware colour
Black · Nickel · Gold · Chrome · RutheniumBridge and tuners matched to each other
Face markers
Mother of pearl · Abalone · Wood
Neck joint
Bolt-on · Set neck

The switch

What it sounds like, in every position.

As standard

  • Neck

  • Neck + bridge

  • Bridge

Neck coil split

The first push-pull leaves the neck humbucker running on one coil: it brightens up without losing body, and in the middle position it moves close to the sound of two single-coils.

  • Neck

  • Neck + bridge

  • Bridge

Bridge coil split

The second push-pull does the same at the bridge, where it is needed more often: the attack stays, the humbucker’s compression does not.

  • Neck

  • Neck + bridge

  • Bridge

Both coils split

With both push-pulls up the instrument becomes a two single-coil guitar, and the middle position is the furthest it gets from where it started.

  • Neck

  • Neck + bridge

  • Bridge

Hear it

Here you can hear it: the same guitar as the band above, in a room with the amp switched on. This is where Rosso corsa, the Floyd Rose and the stainless steel frets stop being lines in a table.

Maranello · sound testLuigi Turco

And now

Carry on building it.

The green lines above are yours to decide. In the Custom Shop you pick them one by one, and at the end it is the luthier who writes back, not a form.

Open the Custom Shop